"I DIED BEFORE, I'M NOT IMPRESSED"
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"Law and order" ("I died before..."-series) (2018)
manipulated lens-techniques / technical abuse.
diasec framed ( 100 cm x 150 cm / 41,3 x 59 inch)
"I died before, I'm not impressed" -series
spacial modeling by moving light (moderated theatre spots) as well as the positioned camera with remote control, the length of the
exposure times and the simultaneous body movements are the main parameters to obtain the results.
Strongly based on experiment & serendipity and "fingerspitzengefühl" to provoke explicite atmospheres, texture, vagueness...
Instant technical and compositional corrections during exposure times.
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"I died before, I'm not impressed"(-series)(2013)
manipulated lens-techniques / technical abuse.
framed / museum glass ( 12x20cm/ 4,72x7,87 inch)(image)
( frame (5 images) 123cm x 30cm / 48,43 inch x 11,81 inch )
Other dimensions available / diasec framed
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"I died before, I'm not impressed"(-series)(2013)
manipulated lens-techniques / technical abuse.
framed / museum glass ( 12x20cm/ 4,72x7,87 inch)(image)
( frame (5 images) 123cm x 30cm / 48,43 inch x 11,81 inch )
"I died before, I'm not impressed"(-series)(2013)
manipulated lens-techniques / technical abuse.
framed / museum glass ( 12x20cm/ 4,72x7,87 inch)(image)
( frame (5 images) 123cm x 30cm / 48,43 inch x 11,81 inch )
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"I died before, I'm not impressed"(-series)(2013)
manipulated lens-techniques / technical abuse.
framed / museum glass ( 12x20cm/ 4,72x7,87 inch)(image)
( frame (5 images) 123cm x 30cm / 48,43 inch x 11,81 inch )
"STILL HOLD THE WEIGHT OF YOU"
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"Still hold the weight of you" (2013)
"I died before, I'm not impressed" (-series)
"Still hold the weight of you" / spacial collage
exploring mirror framework/variable exposure
manipulated lens-techniques / technical abuse.
"Still hold the weight of you" - "I died before, I'm not impressed" -series
spacial modeling by moving light (moderated theatre spots) as well as the positioned camera with remote control, the length of the
exposure times and the simultaneous body movements are the main parameters to obtain the results.
Strongly based on experiment & serendipity and "fingerspitzengefühl" to provoke explicite atmospheres, texture, vagueness...
Instant technical and compositional corrections during exposure times.